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#Tyler the creator goblin series
In his illustrious career, he has managed to be arrested for inciting his fans to act riotous during a SXSW festival, created a series of ads for Pepsi - subsequently pulled from broadcasting - described as "arguably the most racist commercial in history" and, of course, was banned from entering the U.K.
Now maybe he can get to work on winning that Grammy.Calling Tyler, The Creator one of the most controversial rappers of our generation hews far closer to actual fact than opinion. He is, in the parlance of our times, still swaggin’. But the obvious lack of outside meddling proves that Tyler’s auteur status remains intact. Is the entire thing about 20 minutes too long? Probably.
Is the goofy posse cut “Bitch Suck Dick” more or less unlistenable? Yep. Is Frank Ocean’s Antoine Dodson impression necessary on “Fish”? Nah. That one of Goblin‘s best tracks is a lushly produced, bona fide love song (“Analog,” featuring Odd Future/Mellowhype rapper Hodgy Beats) sheds as much light on the Creator’s fractured brilliance as the album’s handful of misfires.
Over a hulking beat that’d make one helluva horror score (just don’t call it “horrorcore”), he echoes Kanye West’s “Monster” as he becomes one: “Victim, victim, honey you’re my fifth one / Honey on that topping when I stuff you in my system / Rape a pregnant bitch and tell my friends I had a threesome.” He gives his own ego an equally cruel battering on the slinky, piano-driven “Nightmare,” then genuinely wrestles with lust (“She”) and longing (“Her”). Goblin embraces dichotomies, from the grungy “Radicals,” which begins with a “don’t-do-what-I-say” disclaimer and peaks in a frothing scream-along (“Kill people! Burn shit! Fuck school!”) to the giddy single “Yonkers,” a self-portrait of “a walking paradox” with a track that mimics the infamous Psycho theme.Ĭonceptually, the album follows Tyler’s mental unraveling, and “Tron Cat” represents the height of both his craft and depravity. His burgeoning career is founded on walking tightropes that criss-cross intimacy and distance, glee and depression, savvy and sacrilege. As he debates a “therapist” (Tyler himself, his voice distorted), the MC/producer claims, “People excited, thinking shit is so tight / Getting cosigns from rappers I don’t even like.”įor a newcomer, Tyler sports one of the most complex profiles in rap. And by kicking off Goblin with a defiant seven-minute intro, the Odd Future overlord solidifies his place as America’s favorite young nihilist, dismantling the next-big-thing rep that he’s been building. Even as more of the world watches and Diddy lurks at his door, it still would’ve been surprising if Tyler, the Creator had made a run for the mainstream on his second album.
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